Si je n'avais pas lu Edward Saïd, je serais orientaliste - لو ما قرأت كتاب إدوارد سعيد لكنت مستشرقة

Saturday, 8 June 2013

Yasmine Hamdan

Concert "Ya nass" à la Boule Noire, Paris , 7 Juin 2013.
Il est rare que je trouve un concert mieux que le CD, mais là, c'était le cas. Il y avait moins de "flou artistique" au niveau du son que sur le CD, et sa voix en vrai est bien aussi belle, sinon meilleure, en vrai ...
Je connaissais cette chanteuse depuis quelques temps, depuis la sortie de son précédent CD "Arabology" sous le nom "YAS", et j'avais beaucoup aimé ce mélange de style électro-"occidental" avec des paroles en dialectes arabes. Me restent à dégoter les chansons de son groupe de départ, "Soapkills" ...

Je suis donc allée avec une amie, et nous sommes sorties avec deux avis contraires sur le concert : elle n'a pas supporté la façon dont la chanteuse mettait son corps en avant, au centre de tout le concert, par sa façon de bouger incessante, ses habits moulants, la concentration qu'elle semblait mettre dans ses gestes, et l'égoïsme que cela pouvait illustrer, selon elle. Ce qui fait qu'elle n'a pas réussi à apprécier ni se concentrer sur la musique, qu'elle aimait pourtant bien ...
De mon côté, j'ai pris ça comme partie prenante du spectacle total. On est habitués depuis longtemps à ce que nombre de chanteurs fasse autant de "scénographie" que de musique, sur scène. Par exemple on ne va pas voir Mylène Farmer juste pour la musique, on attend aussi le spectacle, la dimension visuelle. Et là aussi, il y avait la dimension visuelle, centrée principalement sur la chanteuse, une façon de bouger aux accents de danse orientale, mais surtout quelque chose relevant presque de la transe, comme déconnectée de son environnement, complètement prise par la musique (ce qui bien sûr contraste avec ce que les gens attendent d'un concert, que le musicien "se donne" au public). J'ai donc très vite intégré la gestuelle omniprésente de la chanteuse comme partie prenante du spectacle, pour la reléguer en deuxième plan et j'ai pu profiter de la musique.
Musique qui, à mon avis, a donc été bien à la hauteur du CD, sinon mieux. Prochaine occasion, j'irai la revoir avec plaisir, mais je tâcherai de prévenir ceux qui m'accompagnent ... !

Tuesday, 7 May 2013

Osama Van Halen

And Why I Like Michael Muhammad Knight's books so far.

This book is a follow-up of The Taqwacores*, by the same author, who has since written many more, and I'm in the process of getting them ...
So. After the Taqwacores and the good and strange impressions it left on me, I decided to delve deeper and see what else I could read from this author. This one didn't disappoint me. Light, dark, funny and weird, you can appreciate it even if you're not punk (I'm not, I'm just a free-style convert).
Of course open-mindedness help deal with the recurrent sex themes, the wide variety of critics adressed to religion(s), and references to everything everywhere, of which the american ones usually eludes me, but the muslim ones are numerous, and the authors doesn't bother explaining them, he assumes the readers get it (I usually do, but still, he has a serious and wide knowledge of the arabo-islamic culture). Even though I don't always agree with his point of view on certain subjects, I'm glad that there's someone like him writing these books, and wish it was more known ...  But then it's underground and punk, and by definition traditionnal and mainstream might have a hard time understanding or appreciating that kind of work.
An he has this capacity, always appreciated, of being able to sum up impressions and thoughts in a few sentences that you wouldn't have been able to explain in a few pages, if express it at all. A rare capacity of self-reflection and self-criticism that produce a narratively strange and unusual fiction.

And the after word sets a point to something that has always made me crazy, watching the news : when a muslim woman is killed by her husband, we call it honor crime and accuse the religion of being responsible for this, but if the same stuff happen in a "white christian setting", we call it something else, as the author shows from his own personnal story, and we justly look for responsibilities elsewhere then cutlure and religion.

A few excerpts :

"Basim's own Islam was a cultural thing, and being a fellow immigrant's son, Amazing Ayyub related to that Islam on a level that I couldn't with my convert experience - for the converts, Islam is only books; there's no heart or culture or family tenderness, which is why we often go nuts" (p.69) **

"Fuckin' A," Ayyub replied. Vulgarities peppered taqwacore dialogues to the point of either becoming meaningless, like those constant mash'Allahs insh'Allahs, and subhana'Allahs in conversations of the pious, or effortlesly replacing actuel vocabulary, like the word "smurf" in Smurfspeak" (p.89)

"-(...) This white filmmaker was hanging around for a minute, wanting to do a documentary on Muslim punk bands. So I introduced her to the Kominas, and she asked them, "What's it like being Muslim adn knowing that you have these extremists in your community ?" Can you believe that ?
- That's terrible. What'd the Kominas say ?
- Basim had a pretty good comeback : "What's it like being white and knowing that there's Enron ?" (p.157)



* A fiction taking place in the US, in the muslim-punk scene, adapted to screen in a movie (same title), very good too. But the wikipedia article is much more complete than anything I could say.

** My opinion on that is : 1 - so true, and 2 - some go nuts too because, from what I saw, like many conversions of all kinds (not only religion) is done by people looking for a sense of belonging, a family of sorts, and well, it never ends up being what they want it to be ... I didn't go nuts, even didn't change much at all, because I already had long accepted my sense of not belonging anywhere, and I'm definitely not looking for any kind of make-up family. The pure bookish and spiritual side of the religion are enough for me ... Way before actually converting I already knew I wouldn't find many free style converts like me. But yes, his explanation sounds very good to me.

Thursday, 25 April 2013

Ha ha. Ha ha.

I don't always laugh at reading the news, I even very rarely laugh, but this last week has been quite good to me, as to what happens in KSA : it seems the religious police has a very keen sense of what sort of men women might find overly handsome (I'm still waiting to see pictures of the guys though, since I already find that quite a lot of Arabian gulf guys are handsome, I'm frankly curious at how do these three look like ?!)*, and another story about what they never tell you in the west, or how a patriarchal system doesn't always go the way the guy want in the first place ... I wonder if he will ever regret his decision ? And why in the world the woman demanded such a condition ?!


* Update : I just heard one of them is Omar Burkan, which I'd already heard about. Well, true, even if he's not exactly my type, he's still too handsome for his own good.
Makes me think that well, we're not born all equals, life must be very different depending on whether you're handsome or ugly ... Despite of the political correctness at denying this, you see everyday that physical appearance is a huge factor.

Thursday, 18 April 2013

If The Sun Doesn't Kill You, The Washing Machine Will

(ENG) 
     Another awesome book. Is it that I only blog about the books I love ? It seems I always start a post with that phrase. Anyway, pure british sense of humour throughout, I laughed from the beginning to the end of this short book (made even shorter by the fact that it is funny) : the actions and reflexions of a british expatriate in Qatar, author Peter Wood.
     A simple example of this humour is that sentence : instead of just writing «my cooker is broke» or «my cooker is not working anymore», the author writes «My cooker has temporarily withdrawn its co-operation». It may appear simple, but a whole book of it is just brilliant. I wish I was able to think and write like this ...
     And so, wether you are much into Gulf countries stuff like me or not, it doesn't matter, the author will make you interested. It gives you a good idea of what might have been Qatar in the early 90's and it surely has changed a lot since, but it's not what is important as much as the view and incredible experiences in a Gulf country of a Londoner who has never set foot there before. There are some subjects that eludes him still, which leads him to make some statements I wouldn't quite agree with, as would be expected from a lot of foreigners (and they're always the same : the desert, and the women), but a very interesting piece is his comparison of the judicial system between the U.K. and Qatar when dealing with crime and its punishment. And I find myself kind of agreeing with him even though it is a very unconventional view to be held by a westerner. The basic argument is that a very harsh system on crime in the end benefits much more society than a liberal system as the british one ... It sounds backwardish and all but his examples are quite convincing, I'll leave you read it ...
     That peculiar piece of opinion you might or might not agree with doesn't reflect at all the whole book, and I really recommend reading the whole thing, if you need a laugh, it's exactly what you need.

(FRA)
     Récit s'un expatrié anglais au Qatar, Peter Wood, dans les années 1990. Et c'est drôle. Du pur humour anglais d'un bout à l'autre, je le recommande à toute personne qui a envie de rire et qui comprend l'anglais sans trop de difficultés, peut importe que le Qatar l'intéresse ou pas à la base. (La prince il a dit, c'est un bouqin génial ...)
    Les seules pages dénuées d'humour sont au nombre de 3, et l'auteur y compare les système judiciaires qatari et anglais, en faveur du premier, donnant un point de vue inhabituel et peu consensuel, pour un européen, et bizarrement je me suis retrouvée à peu près convaincue. L'argument est que plus le système est dissuasif de par sa sévérité, plus les gens évitent, finalement, de faire n'importe quoi, et bien que de prime abord cela paraît réactionnaire et stupide pour l`ère du temps, les exemples qu'il relate donnent à réfléchir...
     Mais bon, ce n'est que marginal, le livre est à mourir de rire, cela donne envie de s'expatrier dans un pays du Golfe juste pour voir si tout cela est vrai, et si au final on pourrait avoir autant d'histoires drôles à raconter ... Peut etre beaucoup moins, car le Qatar a beaucoup changé en 20 ans, mais bon, en bref, le sujet principal de ce livre est l'humour propre au style de l'auteur tout autant que des situations improbables qu'il a vécu d'un européen parti loin de son univers familier.


سيرة ذاتية لرجل إنكليزي الذي راح يعمل في دواة قطر خلال التسعينات أي قبل عشرين عامًا ويسرد مغامراته بهذه الفكاهية الانكليزية العظيمة وتضك كيرًا منذ البداية حتى النهاية. في الاساس هي قصة اصطدام مضحك بين ثقافتين ... وتجد أيضًا بعض الصفحات حيث يقدم بدون سخرية اراء مثيرة للانتباه خاصة مقارنته بين النظام القضائي في قطر وفي إنكليترا وكيف يفضل هو النظام القطري القاسي الذي يجعل الكل يشعر بالأمان (لأن الناس يعرفون ما هي النتيجات إذا تختلف القانون) أكثر من النظام الانكليزي وعدم قسوته يجعل المجرمين لا يخافون أي شيئ ولا تشعر بكثير من الأمان ... بالنسبة لأروبي هذا الرأي غير عادي وفي خلاف من الرأي العام ولكن كل الأمثلة والحجات يعطيها كانت مقنعة... 
ولكن من جديد، الموضوع العام هو الأحداث والحالات المضحكة التي انخرط فيها في بلد حيث يعيش ناس من كل أنحاء العالم.  

Saturday, 6 April 2013

The Kingdom - "A freak of geology gave the Kingdom oil ..." the rest is History.


  "the Kingdom" by Robert Lacey, published in 1981.
    
(ENG) 
       Not a fiction book, it’s a historical piece about the foundation of modern Saudi Arabia and its evolution up until the 80’s (I also bought the sequel by the same author which deals with Saudi Arabia from the 80’s up to nowadays, «Inside The Kingdom»). And I just finished it yesterday and loved it. 
Despite some out-of-date vocabulary and depictions (a bit orientalistic), it gathers everything I love : one of the arab countries that interests me the most (Saudi Arabia), subjects that interests me the most (geopolitics, arab culture and old traditions) and History. And the way of telling it all is so enjoyable, and typically british, that you forget that the book is actually big and deals with all sort of foreign or complicated notions. You read it like and epic more than like a history book.
I expected, being written by a westerner, that it would be like all the usual stuff written about that country and the neighbouring ones and which is focusing on digging up the scandals and the clichés that will frighten you, «reel bad arab» style. But on the contrary, even though he does bring up everything that can be brought up, good and bad, the book made me even more fascinated with this country than before. I’m in the process of buying everything I can about it, both in english and in arabic.
And through this book I’ve been discovering a legendary character in the person of the state founder, Abdul-Aziz Al Saud, the sort that you meet only once in a century, the likes of Napoleon. You can critizise some of his actions all the while applauding others, and as a westerner you might be more than puzzled by such a character, but in the end you’re fascinated (for Robert Jordan’s fans, he is a 20th century ta’veren). I wonder if anyone made a movie about him, because his story is the stuff of legends. Story of a handsome and ruthless old-school arab warrior, it has even got the battles and the swords and the castles, not only oil and modern stuff which come up only later. The man himself sounds dashing, with everything to make for an awesome biopic.
And Saudi Arabia of the beginning of the twentieth century sounded so beautiful, with deserts, palm groves and mud castles, and no cars or modern constructions to smear the scenery, and the last possibility of witnessing bedouin life.
I know that modernity in several aspects is a good thing (i.e. hospitals) but the price paid for if so high, it will always make me sad that now anywhere I’ll be travelling, the world will look the same, or try to look the same. Ugly buildings, same cars, pollution. And this is why I always admire anyone who try to keep some of their heritage, and try not to get wiped out by modernity (or rather westernization, you can be modern without being westernized). Even though I can't say that today heritage is well preserved in Saudi Arabia, from what I read in the newspapers of old buildings' desctruction ...
Anyway, digressions apart, some parts of the books shows that the author really tried to understand the country and its people, i.e :
(after writing about censoship) «On the other hand, ordinary Sa’udis can, and do, voice the most direct and bitter criticisms to the king, princes and ministers to their faces - and here perhaps is a clue. You can say what you like in the Kingdom within the intimacy of the personal bond, face to face. That is acceptable; it is dignified; it is your right. But to make a public criticism is different : it implies disrespect; it invites shame». (p.506)
And sometimes, you feel the author is confronted but something unfathomable for him, even though he sees it well : «If you come in to land at Jeddah, Riyadh or Dhahran airports any Friday around sunset you will see the desert around the towns dotted with the little groups, many of them lit, as darkness falls, by the blue glow of a portable television ont the corner of the rug. (...) This is where they have come from. The desert is the source of everything they hold dear - their religion, their code of honour, their ancestry, their black gold - and regularly the inhabitants of the Kingdom flee the modern pyramids their riches are creating to return to the bleak void that they find so consoling. (...) Do they catch wind of some secrets, these Arabs, as the desert breeze blows ? Do they find answers to their problems ? What does this communion with emptiness telle the men and women of the Kingdom about themselves and about the world in which they live ?» (p.522-533)
It’s not always that lyrical of course, but it shows how the author catches glimpes of everything or almost, but, at times, using his own western perception of the few things that are out of his grasp : «bleak», «emptiness», that’s how deserts look to him, and to many who never lived near one. But I guess everyone has places and situations like that will stay out of their grasp forever . A lot of aspects of western life looks like that to me : out of my grasp (which is a shame, since I was born and grew up in Europe). But deserts, I would most definitely not describe them as «bleak» and «empty». My dream is precisely to live near one, so that I can do exaclty that : have a night out in the desert every week or so, so far and so close to everything. It was what I loved best in Australia when I lived there, the central desert, and what I loved best in Jordan : driving trough it (and more cliché, cameling through it, tourist-style, but I don’t care, it was the best thing ever).

I could go on for long quoting the book, I highlighted practically one page out of two, there are so many incredible, unexpected stories and examples (for a western reader at least), it is really worth the read. It covers pratically all aspects and the differents elements that come crashing into that place during the last century (politics, culture, economics) and it’s a very good introduction, I think, for people who don’t know much about it. This book is reckoned a classic, and I understand why. If anyone is interested in this «mysterious» country (sorry for yet another cliché), read it !

(FRA)
Livre historique sur l’Arabie Saoudite au 20ème siècle (jusqu’aux années 1980. Publié en 1981, l’auteur en a depuis écrit récemment un autre, la suite). Malgré un vocabulaire un peu daté (orientaliste), c’est un des meilleurs livres que j’aie lu, toutes catégorie confondues. Au lieu de me faire détester ce pays, comme beaucoup de livres écrits sur le sujet le font (ou voudraient le faire), cela m’a encore plus fascinée par la péninsule arabique ... Je voudrais maintenant pouvoir acheter tout ce que je peux sur le sujet, en français, arabe et anglais.        L’auteur passe en revue à peu près tout : politique, religion, culture, économique, et l’occasionnel inévitable scandale ... Pour quelqu’un qui ne connaît rien au pays, je pense que c’est un bon plan de commencer par ce livre. Il me reste à lire la suite par le même auteur, qui m’attend sagement sur le rayon ...
     Pays inaccessible, ça me donne encore plus envie qu’avant de le visiter. Et je me demande ce qu’on attend pour faire des films sur la vie des rois de ce pays : le premier en particulier, Abdul Aziz, relève de la légende, style Napoléon. Il en existe une fois par siècle, ce genre de personnalité. Qu’on le déteste ou l’aime, il ne laisse pas indifférent, et tous les éléments sont là pour faire un biopic de fou, les guerres, les châteaux, le sabre et le fusil, la technologie qui vient se mêler de tout ça avec le pétrole, l’ancienne culture du désert, les mouvements religieux, la géopolitique mondiale, etc ... J’ai lu ce livre comme de la fantasy. Et j’ai en même temps compris pas mal de choses sur l’économie du pétrole, qui l’eût cru ?
      Et comme toujours, le désert ... Un sujet qui reste mystérieux à l’auteur, la relation entre les habitants et le désert, qui est un des sujets qui m’attire le plus, et que je comprends le plus (un de mes objectifs étant de vivre vers un désert un jour).

فرني كما يريد كثير من الكتب عن هذه الموضوع لمؤلفين غربيين فأنا اللآن منجذبة للجزيرة العربية أكتر من قبل. كتاب تستوعب تقريبا كل شيء من التأريخ والسياسة في المعنى العام والعلاقات بالدول الخارجية والثقافة للشعوب في الجزيرة و و و  ... وأنا الغربية أتساءل لماذا لا سمعت أبدا عن أفلام على حياة الملوك آل سعود. تحديدا على حياة عبد العزيز التي تشبه خرافة مثل يحبها الغربيين, أي فيها الحروب والقصور والسيوف والعالم الحديث والنفط وهذا الشخصية العظيمة, عبد الزيز, مثل نابوليون وغيره من الشخصية الإستثنائية تظهر إلا مرة في أي قرن. مهما تفكر في مثل هذه الشخصية وهذا التأريخ, الكل مثير للاهمام. المؤلف رغم مصتطلحات قديمة استشراقية تنجنح في فهم الكثير وأحيانا لا يمكنه أن تفهم عناصير  مخصصة مثل العلاقة بين السعوديين والبادية (التيه ؟ الصحراء ؟ لا أعرف الكلمات المناسبة) وبشكل غريب هو تحديدا واحد مما افهمه ؛ واحد من أحلامي هو أن أعيش قرب صحراء مثل ما شفت في )الأردن وأستراليا ... أحلم بأن أزور السعودية ولكن أعتقد أن هذا مستحيل للوقت الحاضر ـ ما عندي محرم ولا فرصة للعمل هنا). 
على كل حال الكتاب جعلني أريد أشتري كل الكتب أجدها عن السعودية بأي لغة ... يوم الأمس اشتريت إثنين بالعربية. لنرى اذا استمتع 
بها مثل ما استمتعت بكتاب روبيرت لاسي
أعرف أن كثير من الناس عرب وغير عرب يكرهون هذا البلد ـ نفس شيء في فرنسا اذا تصبح غني فالناس يكرهونك ـ والثقافة الناس لا تهتم بفهمها يجعل الوضع أسوأ ... ولكن لا أجد ما هو أسوأ في النهاية في الجزيرة العربية مما هو الحال هنا في فرنسا. بل وعندهم الصحراء واللغة العربية وكل هذا ...


Friday, 29 March 2013

Oil is destroying History once again * ... While muslims are only half aware that Mecca and Medina are being destroyed and turned into some kind of pseudo-religious Las Vegas.


* There's supposed to be a link there but it's gone ... (trying to retrieve it).

Tuesday, 19 March 2013

Mitosis

This blog being a bit of a draft, nothing quite definite, I decided to duplicate it with a more specific blog, dedicated to the arabic novels and books I'm reading. I'll leave this blog for the rest, the books in other languages and the bits and pieces I sometimes post here.

Ce blog étant un genre de brouillon, rien de défini, j'ai décidé de le dupliquer avec un blog plus spécifique, consacré aux romans et livres en arabe que je lis, et je laisse ce blog pour le reste, les autres livres que je lis, dans d'autres langues, et les choses et autres sur lesquelles j'écris de temps en temps ici.

هذه المدونة يشبه مسودة أكثر من أي شيء محددة فقررت أن أنشأ مدونة أكثر مخصصة ... مدونة عن الكتب العربية التي أقرأها وأترك هذه المدونة للكتب الأخرى في اللغات الأخرى والأشياء المختلفة أكتب عنها هنا